Works in Progress
- Mass Medium: Artists’ Television 1965 to the Present. (Manuscript).
- Real Time over Real Space: Telepresence and Contemporary Art. (Manuscript).
- “C.B.T.V. Chris Burden’s Participatory Television.” (Under Review).
- “Videotape Television: Guerrilla Video’s Half-Inch Tape Networks” (Under Review).
Publications
- “Erwin Redl: Electric Grid” in Erwin Redl: Fetch. Exhibition Catalogue. (Columbus: The Wexner Center for the Arts, 2010).
- “Participation in the Arts: 1950 to Now.” Shotgun Review. January 2009.
- “California Video.” X-TRA Contemporary Art Quarterly. Volume 11, Issue 1 (September 2008).
- “Confusion, Collateral, and Pain: The Grand Tour 2007.” X-TRA Contemporary Art Quarterly. Volume 10, Issue 2 (November 2007). With Shana Lutker.
- “Following Vito Acconci,” Making Things Public (on-line component), an art & technology exhibition at ZKM, Karslruhe (March 2005), curated by Bruno Latour and Peter Weibel.
Papers & Presentations
- “Back to You: Chris Burden’s Participatory Television.” Altman Humanities Center, Miami University, Oxford, Ohio. November 2011.
- “To Reach and to Touch: Wafaa Bilal and the Trouble with Telepresence,” Association of Arts of the Present (ASAP) Annual Conference, Carnegie Mellon University, October 2011.
- “Direct to Video: Stephen Beck’s Cameraless Television.” ISEA 2011, Sabanci University. Istanbul, Turkey, September 2011.
- “Steal This Station: Videofreex Pirate Television and Guerrilla Video.” Visible Evidence 18. New York University. New York, NY. August 2011.
- “Here, There, Now, Then: Early Video’s Indexical Promise.” Presented at High Anxiety, to The Columbus Museum of Art. Columbus Museum of Art. Columbus, OH. April 2011.
- “Now Again: Reenacting the Media Event.” History of Art Department, The Ohio State University. December 2008.
- “Myths of Fair Use and the Secret History of Appropriation: An Introduction.” Takeovers & Makeovers: Artistic Appropriation, Fair Use, and Digital Copyright Law. Berkeley, November 2008.
- “Back to You: Audience Participation in Performance Art, On- and Off-Line.” Performing the Body Electric Panel, Berkeley Big Bang 08 New Media Symposium and Festival. June 2008.
- “Participation TV.” LASER (Leonardo Journal’s Art/Science Evening Rendezvous). May 2008.
- “Courting Contingency: Soliciting the Live Television Event.” Events and Event Structures, The Royal Danish Academy of Fine Arts & Architecture, Copenhagen. May 2007.
- “Bruce Nauman, Television, and Doing It Again.” The Body and Performativity: Issues of Performance Across Disciplines panel, State of the Arts 2: University of California Institute for Research in the Arts (UCIRA) Conference. May 2007.
- “Nauman in the 60s.” Nauman in Context. BAM/PFA and University of California, Berkeley. February 2007.
- “Abducting the Index.” “Cyphernetics” Panel, MLA 2006. Philadelphia, December 2006.
- “Surveillance as Medium,” UnBlinking: Perspectives on Visual Privacy in the 21st Century, University of California, Berkeley. November 2006.
- “The New Narcissus (Dan Graham’s Performer, Audience, Mirror).” Lessons on Love: The UCLA Art History Graduate Student Symposium. Hammer Museum, Los Angeles. October 2006.
- Panelist, “Information Dynamics: Affordances and Implications of New Media on Scholarly Publishing.” University of California, Berkeley. June 2006.
- “The Telecrowd.” Emergent Spaces, Cognitive Environments, The Society for Literature, Science, and the Arts, University of Illinois, Chicago. November 2005.
- “Abducting the Index.” The Ethics and Politics of Virtuality and Indexicality, CongressCATH, University of Leeds at The National Museum of Photography, Film & Television. July 2005.
- “Chris Burden and the Legal Limits of Imitation.” University of California Performance Studies Working Group. Spring 2003.
- Respondent, “Visual Politics of Morality and Decadence.” The Berkeley Symposium: Interdisciplinary Approaches to Visual Representation. February 2002.